Throughout the film a naturalistic light is used to give it a realstic feel but also it seems to provide it with a very British feel- as it gives a sense of the cold and dull weather rather than the typical high contrast, fiery Hollywood shots. The use of lighting is clearly an important aspect of film and it is clear that the directors and producers had exploreda variety of techniques when filming ‘Submarine’. This contrast between realism and fantasy creates a comic effect, it seems exaggerate the unlikeliness of the protagonist’s thoughts. This realistic quality is kept during the next scenes where Oliver Tate imagines his death. ![]() This creates a sense of realism and provides the story with belief. In this shot a very natural light is used, this is a contrast from the previous scenes where the lighting depicted emotion. In the following scene, we are taken to a classroom. These opening scenes suggest that the film may be fairly bleak and depict a gloomy story- it sets the mood. But Morgan pointed out one instance when the Navy’s Ohio -class SSGNs actually did help stabilize a crisis back in 2010 a feat mostly lost to history. This conveys the metaphor of a shadow lying over Tate’s town. It stars Craig Robers, Yasmin Page, and Sally Hawkins. The land is dark, however the sky is very bright. Submarine was filmed in 2010 and is a drama film about a coming of age story. As it does this it shows us the sun-rise over Oliver’s town, the pictures that we see use a similar contrast to the ones in the opening scene. In the next sequence, the camera reveals the location of the protagonist (Oliver Tate). This use of juxtaposition suggests that the boy is troubled, upset or perhaps worried about something. On first appearances Submarine sounds pretty much like any other nostalgic coming of age movie as it focuses on the romantic trials and tribulations of a. However, as the camera pans across the set it reveals a window which feeds a very cold blue colour onto the protagonist. These warm colours give a sense of safety and comfort. In this blog I will briefly analyse the use of lighting in the introductory scenes of ‘Submarine.’ In the very first scene, the set is lit by warm colours produced by artificial lighting. Submarine (2010) directed by Richard Ayoade is an example of a film which reuses many common techniques. ![]() ![]() Film techniques have been reused throughout the years.
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